Mission I: Converting a conversation into content

Why do I do? I do what I do in order to be able to communicate and interact with my surroundings. To be understood and understand as much as I can. I am obsessed with words. In visual or verbal versions of them. I use them as a tool formulating questions to be answered by myself or others. Does it matter who answers them? Maybe not. The try is everything, and here is my attempt to write the significance of the words to me.

I am enthusiastic about words since I don't know any other way to express myself first. The question, for example, how many different variants of writing, pronouncing, and shaping a word, excites me. Therefore, I tend to learn more about them continually. Furthermore, I believe in their powers, the endless possibilities they contain as well as the messages they might convey. Through them, I discover what a person thinks, how an idea can be forwarded, and how masses can be navigated from one to another direction.

While practicing a word, or its components, I see them as the key and the door itself. 

Presumably, that's why I practice different versions of it- write, edit, translate, and shape. To find out how many keys I can collect and open doors with them. 

Comments

Post a Comment

Popular posts from this blog

Image
What constitutes seeing yourself seeing beyond what you see? The series called ''A visual presentation of a literary form'' aims to tackle our notion of perception and how perception shifts from written format to visual as well as how subjective it is. As one of the leading figures of modern philosophy, Kant asserted that all of our experiences and senses are filtered through a glass that refracts our interpretations through ourselves. From our manner of perception to the artworks that we relate to ourselves, this ‘’Glass of Kant’’ is not only the reference point of our experience but also the biggest factor behind the results of our interpretation. Ultimately, this glass is made of the social and cultural bases of human life and consists of a code that accompanies our habitat. On the other hand, the glass is the crux of experimentation, and everything must pass through this filter as well. Indeed, it is inevitable that these interpretations shape our perception as much...
Read more

On the way to Nonlinearity in Literature: Time

Derived from Proustian structuralism, Gerard Genette's discourses on how nonlinearity appears in literature imply three keywords: time, order, and narration. He explains in Proust's model that events take place both in a particular order and a definable number of times; quite the reverse of the nonlinear approach that uses layered and dispersed timelines. In order to understand the deconstruction of the chronological order of events, one should first grasp the concept of time. The chronology is based on time consisting of time past, time present, and time future. ''The future does not yet exist. The past no longer exists, and the present takes no time at all.  What then is time?' ' 1 St.Augustine, Confession on Time Exhibition, The way of Seeing,  John Berger, Arter, 2017 From Einstein's theory of relativity, which demonstrates that the perception of time depends on where one stands, to Aristotle's postulate, which relates movement and time to determine ...
Read more

My New Definition of Nonlinearity and Literature

Image
After my research, I was confused with the different aspects and approaches to nonlinearity, since the results were ramifying towards many fields such as philosophy, screen narration, and learning methodology. Wordflex mobile application by Oxford According to the Cambridge Dictionary, the definition of nonlinear; used to describe a process, series of events etc. in which one thing does not clearly or directly follow from another. Therefore, I infer that it's related to the chronological or hierarchical order. I first focus on the perception of time and how we order and disorder things. What constitutes the past, present and future? Where to begin and where to end?  As a non-hierarchical concept, I associate it with a rhizome, which epitomizes multiplicities. Derived from the botanical rhizome, in A Thousand Plateaus, Deleuze and Guattari propose ''a mode of knowledge and a model for society'' that opposes this tree-like conception. While the arborescent archetype r...
Read more